![]() Camille Pleyel, with whom several noted musicians of the day, including Berlioz and Liszt, fell in love) still betray their stylistic debt to Field, although even at this early stage in his development Chopin's melancholy-tinged chromaticism and sinewy melodies stand in stark contrast to the Irish composer's far simpler pieces. The Three Nocturnes, Op.9 (dedicated to the famous pianist Mme. Chopin inherited the form from Irish composer John Field Field's influence is indeed palpable throughout Chopin's earliest published entries in the genre. The waltz-like accompaniment gently emphasizes the 12Ĩ meter, 12 beats to the measure subdivided into four groups of 3 beats each.The twenty-one Nocturnes of Frédéric Chopin (of which only twenty were designated as such by the composer, the well-known Nocturne in C-sharp minor of 1830 being in fact a pastiche of pre-existing music that only received the title Nocturne upon publication in 1875) span virtually his entire creative career. ![]() The nocturne also includes a subordinate melody, which is played with rubato.Ī sonorous foundation for the melodic line is provided by the widely spaced notes in the accompaniment, connected by the damper pedal. With each repetition, it is varied by ever more elaborate decorative tones and trills. ![]() This melody is heard again three times during the piece. The nocturne opens with a legato melody, mostly played piano (quietly), containing graceful upward leaps which becomes increasingly wide as the line unfolds. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). The A and B sections become increasingly ornamented with each recurrence. ![]() It is 34 measures long and written in 12Ĩ meter, having a similar structure to a waltz. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. ![]() Problems playing this file? See media help.Ĭhopin composed his best-known Nocturne in E ♭ major, Op. ![]()
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